The Types of Taur-taur Folk Song in Simalungun Culture

Authors

  • Sapna Sitopu Universitas Sumatera Utara
  • Rithaony Hutajulu Universitas Sumatera Utara
  • Rahmatika Luthfiana Sholikhah Universitas Sumatera Utara

Keywords:

type, folk, song, culture, taur-taur

Abstract

Taur-taur, as a form of vocal art expression of the Simalungun community holding a cultural richness that needs to be preserved. The main focus of this research is on five types of taur-taur, namely Taur  taur  bahtonang,  taur  taur simbandartaur  taur  Balok  ganjang,  Taur  taur  urdo-urdo, and Taur taur tangis-tangis. Each type of taur-taur has unique characteristics whether in terms of melody, lyrics, or social functions within the Simalungun community. Through a qualitative approach, this study finds that taur-taur has distinctive features that set it apart from other forms of folk singing. Musical analysis using Crishty's theory and Merriam's ethnomusicology theory provides a deeper understanding of the vocal techniques and symbolic meanings contained within taur-taur. This research concludes that the preservation of taur-taur is crucial for maintaining Indonesia's cultural diversity. One of the preservation efforts that can be undertaken is to introduce taur-taur to the younger generation through music education.

References

Agustono, B., Budi, et al. (2012). Sejarah Etnis Simalungun. Pematangsiantar: Pemerintah Simalungun-FIB USU.

Alisjahbana, S. T. (1996). Indonesia:SocialandCulturalRevolution. Kuala Lumpur: Oxford University Press.

Erfinawati, O., & Ismawirna, D. (2019). Cultural values in the oral literature of Aceh Jaya society. Journal of Language and Literature, 13(2). https://jurnal.usk.ac.id/JLB/article/view/14763/11064

Hood, M. (1982). The ethnomusicologist (New ed.). Ohio: Kent State University Press.

Koenjaraningrat. (1971). Manusia dan Kebudayaan Indonesia. Jakarta: Gramedia.

National Musical instrument. Department of Education and Culture, Directorate General of Culture, North Sumatra Government Museum.

Merriam, A. P. (1964). The anthropologyofmusic. Chicago University Press.

Nettl, B. (1964). Theoryandmethodinethnomusicology. The Free Press.

Pasaribu, B. M. (2004). Pluralitas Musik Etnik. Medan: Pusat Dokumentasi dan Pengkajian Budaya Batak Toba.

Pudentia, M. P. S. S. (Ed.). (2015). Metodologi Kajian Tradisi Lisan (Edisi Revisi). Yogyakarta: Yayasan Pustaka Obor Indonesia

Purba, S. D. (1994). Penggunaan, Fungsi dan Pengembangan Nyanyian Rakyat Simalungun Bagi Masyarakat Pendukungnya. Medan.

Saragih, Taralamsyah. (1963). Seni Musik, Suara, dan Tarian Simalungun. Dalam Seminar-I Kebudayaan Simalungun. Medan.

Sinaga, S. (2010). Uppasa dan uppama Simalungun. Medan.

Sinaga, J. L. (1988). Inggou Simalungun. Kabupaten Simalungun.

Downloads

Published

2024-10-18

How to Cite

Sitopu, S., Hutajulu, R., & Sholikhah, R. L. (2024). The Types of Taur-taur Folk Song in Simalungun Culture. Proceeding International Conference on Malay Identity, 165–171. Retrieved from https://conference.unja.ac.id/ICMI/article/view/331

Similar Articles

1 2 3 4 > >> 

You may also start an advanced similarity search for this article.